Not more screens: one system that sells, airs, proves and measures them. Below, the six reasons in short, how they compare with the usual ways in, and each one argued in full.
What this platform does that screen rental, a media agency or a signage vendor would struggle to do on their own.
Thirty plays is enough to begin. No yearly lock-in and no hundred-spot minimum, so the smallest step is already a real one.
Location, schedule, creative, payment, playback and reporting in one flow, one account and one record.
Every play is logged by the player itself, with CCTV evidence attached. No one has to reconcile it afterwards.
Cameras count people and vehicles, so a point is priced on measured traffic instead of how busy it feels.
Playback is offline-first. Schedule, rates and balance live on the machine at the site, so the screen keeps airing.
Add a screen, a camera, a vehicle or a booth to the same account. Nothing has to be torn out to grow.
Each alternative is good at its own job. None of them closes the whole loop of ordering, airing, proving and measuring on its own.
| Kliktron | Screen rental | Media agency | Signage vendor | |
|---|---|---|---|---|
| First step | Thirty plays on one screen | Hundreds of spots before a first test | A brief and a campaign budget | A hardware and installation project |
| How you buy | Self-service in an app, by the play | A negotiated contract | Through a planner | – |
| Proof of airing | Timestamp and CCTV clip, written by the player | Photos and manual reports | Reports gathered from suppliers | Depends on the software installed |
| Audience | Counted by on-site cameras | Described, rarely counted | Usually estimated | – |
| Screen health | Fleet dashboard, failures on top | Often learned from the client | – | Varies by product |
| Internet drops | Keeps airing from local storage | Depends on the operator | – | Depends on the player |
| Growing | Add screens, cameras, vehicles or booths to one account | A new contract per site | A new brief per campaign | A new hardware project |
Typical alternatives, described in general terms. Individual providers differ.
What each reason means in practice, and what it replaces.
Thirty plays is enough to begin. No yearly lock-in and no minimum of hundreds of spots.
Screen rental is sold in negotiated blocks, so a first test costs as much as a campaign. Here the smallest step is already a real airing, with proof.
Location, schedule, creative, payment, playback and reporting in one flow, one account and one record.
An agency stitches suppliers together and reconciles their reports afterwards. Kliktron runs every step on one engine, so there is nothing to reconcile.
Every play is logged by the player itself, with a CCTV clip attached.
A photo shows that a screen was on once. A log written at the second of airing covers every play, and nobody has to type it.
Cameras count people and vehicles, so a point is priced on measured traffic.
Location value is usually sold as a story: a busy road, a crowded station. A counted audience turns the story into a figure a buyer can check.
Playback is offline-first. Schedule, rates and balance live on the machine at the site.
A player that waits for the cloud is only as reliable as the site’s internet. Vertex Player keeps airing from local storage and syncs its logs when the line returns.
Add a screen, a camera, a vehicle or a booth to the same account. Nothing has to be torn out to grow.
A signage project usually means new hardware, new software and a new contract. On Kliktron every addition joins the same account, the same balance and the same reports.
What advertisers and screen owners say about out-of-home today, and what the platform does about each one.
Airtime is sold at retail, by the play. Thirty plays on one screen is a real first step, with proof.
Every play is recorded at the player, with a timestamp and CCTV evidence. A photo is not a record.
Failing screens rise to the top of the fleet grid, so the owner sees them before anyone calls.
Prices rest on a counted audience. Cameras count; the video stays on site.
Clear expectations from the first conversation.
Screens in the network belong to partners and operators. Kliktron runs the system that sells, airs, proves and measures them.
The creative is prepared by the advertiser or its creative partner. QC checks it against the spec before it airs.
Connectivity and power at each site come from the site. The player is built to keep airing when the line drops.
Partly. With Qüota Placement, Kliktron sells airtime on the videotrons and signage it manages. The same platform also runs screens owned by partners and operators, who keep their screens.
Yes. Start with one product, such as the Klik App, Vertex Player or Soca Insight, and add others later on the same account.
No. Vertex Player is installed on the computer that drives the videotron, so the screen itself stays as it is.
A signage CMS schedules content. Kliktron adds retail ordering, proof of play and audience counting on the same record, so the screen can be sold and reported on, not only scheduled.
Every published price is on the Pricing page, in rupiah or US dollars, excluding 11% VAT.
How it WorksThe Advertising Operating System (AOS) behind every play, stage by stage.
Dual-Side ProofWhat advertisers and media owners each see, from one record written by the player.
PricingEvery published price, in rupiah or US dollars, straight from the price book.
AboutWho we are, why retail-led, and how we work with partners.
Take the smallest step that can prove it, and start this week.
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